Who was the Virgin Mary before she became the mother of Christ, revered in the Catholic Church? What was her life like as a girl and young woman? How well do we know her and, after the passage of millennia, is it possible to know her now?
“There’s not a lot in the Scriptures on Mary,” screenwriter and Whitman native Timothy Michael Hayes said in an interview Friday, Nov. 26 about the film, “Mary,” making its debut on Netflix tomorrow – Friday, Dec. 6. “When I was asked to do it – my producer approached me and asked me, ‘Would you be interested in writing an original telling of Mary’s story?’ I just saw all the obstacles in that. [But] I said, ‘That’s a challenge. That’s something different, I haven’t heard of that [being done before],’” he recalled. “That idea of that challenge, was like, ‘Yeah, let me take it on. Let me try it. Let me do it.”
One challenge was that they wanted the film to appeal to all denominations and all dogmas. It is also a different kind of genre, which Hayes calls a Biblical thriller, one that’s theologically solid, if that’s what one is looking for – and the film is an attempt to appeal across borders. IMDb cross references the film on its site as a political thriller, an action film and just plain thriller.
A bipartisan approach, if you will.
The call to write this script came in 2018, with the changes that often happen in pre-production.
“It’s a journey, and you go on to other things,” he said. That the film world stutter-start was not unusual and when it was on again, he had rewrites and revisions to do with changing visions of new directors. Hayes pointed to his next project on the life of Milton Hershey is going though that because a new director just came on board.
Lead Producer Mary Aloe of Aloe Entertainment, with whom Hayes has worked before, was the first person to ask him to write the screenplay.
“Mary,” like most films these days, it seems, has generated a bit of controversy, too, mainly centering on the casting of mostly unknown Israeli and Arab actors from the Middle East, especially Israeli actress Noa Cohen, who had been wrongfully identified as a Palestinian. Only Sir Anthony Hopkins, who portrays King Herod, is a “big name” Hollywood actor.
“If we’re honest about that, to a certain point, controversy is a good thing,” Hayes said. “It generates interest. Netflix’s interest in acquiring it also brought the idea that a lot of people will watch this.”
The production schedule was a rushed one, as filming in Ouarzazate, Morocco only wrapped up in March. “But we knew all along that the goal was holiday 2024.”
If it missed that deadline, it wouldn’t debut until February 2025, with no guarantee it would get the same audience numbers.
The original “Miracle on 34th Street,” hit theaters on June 4, 1947, “It’s a Wonderful Life,” came close, opening on Jan. 7, 1947, and “The Bishop’s Wife,” didn’t hit theaters until Feb. 14, 1948.
“Spoiler alert,” he said. “At the end, the baby Jesus is born, so it’s kind of a Christmas thing. [The Dec. 6 Netflix debut] kind of gives it a three-week run up to Christmas.”
Hayes said he and the producers had always wanted a theatrical release for “Mary.”
“It would have been riskier,” he said. “With Netflix, you have a lot locked in, and the biggest global audience in the world. The key there is global. … Mary’s story appeals across the globe.”
At core, Hayes and his producers set out to explore the notion of doubt in the film, an intention at the root of some of the online “controversy.”
“Certain factions of religion, or religious mindsets, say Mary never doubted,” he said. “That’s just not interesting, nor is it very human. I feel that the more human someone is, the stronger they are in the end – to acknowledge the humanity, what it means to be alive, and come out on the other side, only makes them stronger.”
Confirmed as a Roman Catholic, Hayes said he grew up with a foundational understanding of the “religious” aspects of Mary’s story, including the non-biblical doctrine of the Immaculate Conception.
“But because so little of Mary’s early life is found in the canonical Scriptures — beyond key mentions of her in Matthew and Luke — more was needed to tell her fuller human story,” he said, stressing that he has many conversations with faith leaders of all stripes, discussing nuances of belief, interpretation and language.
Hayes, who is the father of four daughters among his five children, said his script emphasizes that Mary was a human being, after all.
“The idea that she’s a pregnant teenager, unwed and didn’t understand why … and she wasn’t scared? That just doesn’t speak to any kind of reality that you or I would know,” he said. “Of course you’re going to be terrified. Of course you’re going to have doubts to work through. It’s a larger metaphor for what we all go through. Doubt is inherent … every day we wake up doubting ourselves.”
He maintains it does not step away from the Devine – it reinforces it.
Hayes said he has also instilled some subtle humor in the film. The early buzz about the film has been great, despite the controversies.
“My job is to write something that other artists will read, actors, directors – keep going, costume designers, set builders, and they will see an opening for their own creativity,” he said. “There’s a way to do it that that script is an open door to other artists. To see all of us come together from across the globe …”
He hints there just might be a sequel if the film is a big enough hit and there is a theme that they see as a good one to explore.
MEET THE
SCREENWRITER
So, one might ask, who is Timothy Michael Hayes?
Valedictorian at W-H in 1988, Hayes then went on to New York University’s film school, where he graduated in 1992. He’s raised his five children in Scituate.
“I could have probably gone anywhere, but I didn’t apply anywhere else,” he said of NYU. “I applied early admission. I was always interested in everything. I love to write. I love music and grew to love photography – and where can you do all three of those things in one place?”
An early influence was the Cohen brothers, [“Blood Simple,” “Raising Arizona”] whose editor was the elder brother of Hayes’ roommate and filmmaking partner. Thatconnection helped bring theCohen Brothers to his senior thesis bay to view their senior film and offer comments.
His “big, happy detour” was meeting someone from the Massachusetts South Shore and returning to get married. His wife was a dancer, and the couple opened a dance studio in Scituate.
He also goes into Scituate High each year to help teach a Literature to Film class.
“I kind of stopped doing film for a little bit,” he says as he kept the books and did customer service for the studio. “Life has these interesting journeys.”
His writing process, now that he’s back in film, is different for each film, Hayes said, but most are historically based.
“I’m a lover of history,” he said. “At W-H, that was my passion.”
He is typically hired to either adapt a book or historical incidents that have no specific book for reference, and you do your own reference work. Films like “Mary.”
When adapting a book, he thoroughly notates it with three pens – black, red and blue. The black ink tracks reflections of the original idea; blue notes if there is a running theme at work and red is for the “big highlight” moments.
“I notate everything I read,” he said. That includes performance programs.
Everyone’s life is a story, Hayes believes.
“To me, stories are the essence of what it means to be human,” he said. “We do it every day. … and you’ve got to hook them, which is so prevalent now, in the streaming age on TV.”
He said it has always been true in cinema, especially in the past 20 to 30 years, when scripts outlining the first act of the film has to be done in 22 pages instead of 25, as action has been key.
His main professional goal right now is moving more into controlling his own properties.
“I’ve been a gun-for-hire since I got back into this,” he said. “It’s more than a full-time job. It’s really seven days a week, 24 hours a day, because I love it. I always have pages [to revise].”
His college roommate has helped with that – he wrote a little film called “Elf.”
And, what’s next after “Mary?”
Hayes is also in the midst of an adaptation of Norman Rockwell’s autobiography into a five-season series.
“For me, his story is the story of the 20th century,” he said of Rockwell’s work. “When you’re living it, which is why I love what I do, I’m living it. You’re balancing so many things at one time.”
He’s also working on a “fantastical biopic” on the life of chocolate king Milton Hershey for Dandelion Media, and most recently began work on “Box of Light,” a feature adaptation of Evan I. Schwartz’s biography of Philo T. Farnsworth, the true inventor of television.

Alan Ingram
Express correspondent
Kingston residents narrowly approved a controversial zoning change Nov.19, creating a district of potential multi-family housing development near the town’s MBTA station. The article passed 192-167 at a special town meeting, with supporters arguing it was necessary to maintain access to crucial state grants.
The new MBTA Communities Multi-family Overlay District (MCMOD) allows for higher-density residential development in two areas: near existing businesses along Marion Drive and at the struggling Kingston Collection mall. The bylaw change complies with a 2021 state law requiring MBTA-adjacent communities to zone for multi-family housing or risk losing eligibility for certain state funding programs.
Town Planner Valerie Massard presented the proposed district, emphasizing that Kingston negotiated a unique arrangement with state officials to focus development at the mall rather than within a half-mile of the train station as typically required.
“We know that our mall is failing. We know that Macy’s is going to close soon,” Massard said. “We asked the state, is there a possibility that we could waive that requirement and move some of this zoning so that it would be over top of the mall to help incentivize redevelopment of the mall? And they said yes.”
The plan allows for up to 15 dwelling units per acre in one subdistrict and 16 units per acre at the mall site. It also counts 282 existing apartments toward the town’s required total of 805 units.
Debate centered on balancing economic benefits against concerns about rapid growth and strain on town services. Selectman Tyler Bouchard, who initially opposed the concept, urged passage to maintain local control and capitalize on state grants.
“If they go 40B, we are in deep trouble,” Bouchard said, referring to the state’s affordable housing law that can override local zoning. “ And on top of that, there’s going to be a bunch of towns that don’t go for this thing. So why don’t we go and get every single grant we can over the next two or three years while the doors open to the Bank of Massachusetts. Let’s bum rush it.”
Opponents raised concerns about school overcrowding, traffic congestion and loss of community character. Selectman Kim Emberg spoke against the measure, arguing it represents an unacceptable loss of local control.
“At the end of the day, I’m opposed to this article because I refuse to support the loss of local control. We, the voters of Kingston, establish our zoning bylaws based on how we want to grow sustainably and how we want to build our community,” Emberg said. “I say no to state overreach. I say yes to Kingston.”
The zoning change opens the door for future development proposals but does not approve any specific projects. Any multi-family or mixed-use developments would still require site plan review by the Planning Board.
Massard noted the town recently lost access to some grant programs due to outdated zoning language and stressed the importance of maintaining eligibility for infrastructure funding.
“We rely heavily on it here in Kingston,” she said. “We received $8.28 million in the last 10 years in order to do our sewer and water infrastructure to support Lowe’s, Amazon, Elevated Roots, and the apartments at the Kingston Collection.”
Town Administrator Keith Hickey emphasized the potential financial benefits of mall redevelopment. He said property tax revenue from the site has plummeted from $98 million in 2009 to just $9 million today.
“When you add the taxable revenue that we’ll receive from the redevelopment of the mall along with the apartments that will be constructed, we aren’t in a revenue deficit. We’re a revenue surplus, and we need to look at this in the bigger picture. “ Hickey said.

No overnight on-street parking will be permitted on any street in the Town of Halifax effective November 1st, 2024, through March 31st, 2025.
Residents must remove all basketball hoops, hockey nets etc. from within the town layout (i.e.: the side of the road). This will prevent them from being damaged when plowing occurs.
A warning will be issued for first-time violators. Vehicles will be ticketed or towed, if necessary, for repeat offenders.